Search: Starring Tom Cruise

Even the ending, which otherwise would be dismissed as inconclusive, feels valid and true, emphasising yet again the magic that is Mann.

Jeffrey Schwarz, one of the most prolific documentarians working today and a man who has dedicated his life to redressing the balance in regard to LGBTQ+ narratives, is careful not to deliver only those stories which we have all heard before.

Digger is not a film that invites fence sitting.

Cage gets killed over and over and comes back to the same place to start again. Bor-ing!

You are never sure what is actually happening, what is real and what is pretending to be real.

The relish with which Tom Cruise delivers even the most awful lines is quite engaging.

Make no mistake: despite the big cast, this is the sort of thriller you can safely snooze through on a plane, connecting with ease the dots between the clichéd fights and chases.

What's remarkable about Crowe's cinematic high-point is how he achieves conventional things in unconventional ways.

It all feels too professional, too clean, too choreographed.

Elegant, disciplined and, ultimately, stirring.

As a piece of art it offers quite a bit to admire, but it's not ultimately very successful as a viewing experience.

Worthy, without being worth watching.

Sentimentality is already dead. Irony lives! And coincidence is king.

Flashy future technology and architecture has been cleverly interwoven with the familiar, even the old-fashioned, to create a world which we can believe is not too far away from our own.

For those who cannot follow the plot there are some really good set pieces, with enough tension and excitement to carry the movie.

If anything the potential dangers of AI are even more in the news now than when the film was shot, making it feel bang up to date.

Open your eyes. Admire the death defying artistry.

Following the phenomenal sequences up on the Dubai skyscraper, it seems that the only way is down.

It is to Tom Cruise's credit that the sequel is infinitely better than the original.

Abrams combines kinetic action sequences with internal logic-fuelled storytelling to give us an impossible mission head, shoulders and a rabbit's foot above the previous two instalments.

It’s certainly all very timely and apposite

The slow-burning two-hander first half gives way to a revelation-heavy final hour, where every new sub-Shyamalan surprise only confirms how much Oblivion is ripped off from superior sci-fi that knows its game better.

Cruise is by far the most entertaining thing in Rock Of Ages, and as with all his films, he looks like he is trying exceptionally hard.

This is not a great film. It is not a terrible film, either. It is a long film.

Sadly, despite plenty of obvious effort and passion, this film is not as hilarious as the early clips suggested.

Cruise, the cheesy soundtrack and the stunning aerial photography that marks out its combat scenes are its three main selling points.

Cruise, doing many of his own stunts, owns the territory with stellar charisma.

Screenwriter, Christopher McQuarrie and director Bryan Singer have done a terrific job of resurrecting the Seventies style of war film spiced up with the benefits of modern editing and special effects.

Confusion is the name of what stops being a game because after the first hour it's no fun any more.

The tension is relentless and the effects awesome.